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Summary
The bestFleetwood Macsongs capture the romantic and vibrant nitty-gritty of one of the most brawny bands of the Classic Rock geological era in all their tumultuous resplendence . Originally found in 1967 , the British - American band started as a blues outfit moderate by guitar player and singer Peter Green , but would become a placeable anthem band by the mid-1970s . Several card changes occurred throughout the banding ’s first decade , but the arrival of singer / guitarist duo Stevie Nicks and Lindsey Buckingham completely re - excogitate the act ’s sound . Fleetwood Mac dominated the latter one-half of the 1970s , and their hits go on to play on radio stations around the world .
Though Fleetwood Mac ’s popularity has never really waned , the band found newfangled sprightliness in 2023 with the release of the miniseriesDaisy Jones & The Six . establish on the eponymic novel by Taylor Jenkins Reid , the fictitious storyechoes the tumultuous history of Fleetwood Mac , though the book and series are n’t biographic . The behind - the - scene drama of Fleetwood Mac ’s heyday is the stuff of legend , and many of their peachy hits are prevailing with romantic tensity as the brace that made up the banding allowed their personal drama to spill out through the music . The best Fleetwood Mac Song are not only smash but timeless rock classics as well .
15"Tusk" (1979)
The title pass over off their 1979 album of the same name , " Tusk " is wholly unlike any other Fleetwood Mac hit . Intentionally aggressive to meditate their complicated relationships at the fourth dimension , the Sung dynasty is a outspoken extravaganza that builds and builds with rhythmic drumming throughout . The lyrics dribble with anger , and even the album ’s cover , a Canis familiaris biting someone ’s gasp leg , is a staring symbol for the moody penultima song . Horns are summate to smashing consequence , and Mick Fleetwood bewilder a rare barrel solo .
14"Silver Springs" (1977)
Many of the best Fleetwood Mac Sung dynasty were mega - hits , but even though " Silver Springs " fly under the radar , it is no less powerful . The Sung dynasty did n’t make the cut on their originative 1977 albumRumors , but its strip - down instrumentation would have nestled nicely with the album ’s other classic . Nicks give a surprisingly chasten outspoken performance in the rare B - side , and the song has since take its place among the band ’s greatest hit even if it was n’t fully apprize at the time .
13"Everywhere" (1987)
Christine McVie often played 2nd fiddle to her bandmate Stevie Nicks , but her solo vocal score " Everywhere " from 1987’sTango in the Nightshowed what she had to declare oneself . Amped up by McVie ’s subtle synthesizer riffs , " Everywhere " is a brilliant love Sung that was a verbatim antithesis to the often rarify tunes that the stria commonly dreamed up . The birdsong was a hit and helped to show that the belated McVie really was the band ’s most underrated phallus .
12"Seven Wonders" (1987)
The best uses of Fleetwood Mac ’s music in moviesand TV show often capitalize on the striation ’s overpowering power , and their 1987 polish off " Seven Wonders " found another life history onAmerican Horror Story . in full embracing the ' 80s cheeseflower of 1987 , the band ’s albumTango in the Nightshowed they could contain the belligerent instrumentation that stand for the synth - intemperate latter half of the ten . " Seven Wonders " is distinctive Nicks with its mystical words and brilliant crescendos that show off her smoky vocalism .
11"You Make Loving Fun" (1977)
Christine McVie ’s major contribution toRumors , " You Make Loving Fun " is a playful and sensual love Sung dynasty that did n’t reflect the strife behind the scenes . McVie ’s easy vocals match the tone of the song perfectly , and Lindsay Buckingham ’s electric guitar immix effortlessly with McVie ’s clavinet work that repulse the song along with John McVie ’s collocate sea bass . While most ofRumorsis a complicated mixture of desire and pain , " You Make Loving Fun " is just that , play .
10"Sara" (1979)
After 1977’sRumorsproduced nothing but strike , Fleetwood Mac ’s 1979 follow - up albumTuskwas decidedly less successful when it came to radio play . However , Stevie Nicks ' haunting ballad " Sara " stood out from the rest of the angsty album with its witchy lyric poem and toe - tap bass from John McVie . In " Sara " , Nicks reveals her artistic muse in the fictional matter of the song and continue her quest of ego - exploration that invites the consultation along for an aural adventure of the highest kind .
9"Gold Dust Woman" (1977)
The fibre ofDaisy Jones & The Sixmay have been loosely based on the members of Fleetwood Mac , but songs like " Gold Dust Woman " were an obvious inspiration for the show as well . Coming from 1977’sRumors , " Gold Dust Woman " is a team effort from the entire group and each member ’s outspoken style glow through . All throughout , the music is anchor by Buckingham ’s skilled picking guitar style , and it mixes in constituent of folk , res publica , and even psychedelia for a birdsong that challenge the listener with its variety .
8"Gypsy" (1982)
Fleetwood Mac ’s 1982 albumMiragewas somewhat caught between the fleeting seventies , and the inflorescence eighties that demanded sweeping melodious change . However , the crown jewel of the album , " Gypsy " , reminded wayward attender of what made the good Fleetwood Mac birdcall so bully to start with . Nicks ' religious lyrics and vocal are highlighted by pernicious incorporations of synthesizer but is mostly supported by John McVie ’s driving bassline . On top of that , the beautiful harmonies from Christine McVie and Lindsay Buckingham were n’t establish in very many Song dynasty of the other ' 80 .
7"Rhiannon" (1975)
" Seven Wonders " was n’t the onlyFleetwood Mac song featured inAHS : Coven , and the quintessential Stevie Nicks ballad " Rhiannon " also played a crucial office in the series . Released on their 1975 self - titled album , the lay comes right at the listener with chippy guitar and a heavy bassline in almost perfect opposition to Nicks ' droop lyrics . The song tag a clear alteration from the band ’s bluesy early days , to Buckingham and Nicks ' morose and spiritual influence that would lead them to their greatest heights .
6"Little Lies" (1987)
A decade afterRumorsmade them the biggest band in the world , Fleetwood Mac burst back on the scene with all the sparkle and big hair of the recent ' 80s in their radio hit " Little Lies " . Though it is very dissimilar from their guitar - heavy ' 70s anthems , " Little Lies " managed to comprise the mode of the ' 80s while delivering the sort of tortured beloved vocal everyone wanted to get wind from the group . Christine McVie control court with the lead vocals while Buckingham and Nicks drop in with potent harmonies .
