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As Earth ’s newSuperman , Jon Kent is recur to violence only as a last resort and taking on issues that he ca n’t plug his manner out of , such as help in a refugee crisis or trying to calm monsters confused by the degradation of their underwater habitat . His approach has been measured , rather than reactive , displaying a maturity that considers the potential damages to those around him and the style that villains pull strings others ’ circumstances . The book binding of the first 11 issues ofSuperman : Son of Kal - Elreflect his decision not to go into every struggle swing , as even while selling this character to a wide range of reader , Jon still has n’t chosen fierceness .
This is a pronounced departure from decades of cover artistic creation that had Superman throwing punches at foes , structure , the periodic friend , and even flying fist - first off of the Thomas Nelson Page . For ten , Superman cover version art has put violence front and center , often as a reflection of the Cuban sandwich ’s incredible strength . This is true even in Kal - El ’s present day adventures inAction Comics , with multiple coversdepicting him as a gladiator mid - attack . In this way of life at least , Jon is n’t following in his father ’s step .
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When Jon Kent took the mantle of Superman from his Padre after Kal - El inform him that he must depart Earth to fight Mongul on Warworld , he cursorily build that he would be a dissimilar kind of Superman . Instead of place an emphasis on fighting , he seek to understand the circumstances of the peril he encounters , proving to havebetter foresight than his Father of the Church . What ’s surprising , however , is that DC has impart this tier - headed approach through to the regular and variant covering fire used to sell Jon ’s dangerous undertaking to fans . Received wisdom would paint a picture a bold , violent difference of opinion on the cover would grab the interestingness of superhero fans , but so far DC has choose to refrain from this depiction of Jon on mirthful shelf , even when he ’s throwing punches in the stories themselves .
Rather than rush to violence , Jon can make intellectual decisions - such as when Bendix uses Faultline ’s office against her will inSuperman : Son of Kal - El # 4by Tom Taylor and Daniele Di Niculo . Even though it was an emotionally devastating blow for Faultline ’s impact to all obliterate the Kent Farm , Jon forthwith see through this ploy and sympathise with the young woman ’s plight . He again sympathized with the ocean goliath making its way toward Metropolis inSuperman : Son of Kal - El # 7by Taylor and Cian Tormey investigate its former resting place and noting that it was uninhabitable .
With the regular and variant covers of 11 issuing ofSuperman : Son of Kal - Elto consider so far , it isclear that Jon Kentis not acting as the traditional superhero aggressor in any of them . He is either striking a defensive posture , flee , ripping his shirt to expose the S on his chest in the classical Superman pose , or helping make clean up a cataclysm . The most violent book binding to escort was the aforementioned issue where the Kent Farm was destroyed from above ( in art from John Timms ) . Though this screening art is a gut punch to fan and the Kent family alike , the violent pulse that one might wait to discover after the devastation of a family home are met by Jon Kent ’s horizontal surface - headedness in the Page that follow .
This would seem to be a conscious endeavour on the originative team ’s part . They are presenting Earth ’s newSuperman as a level - headed and compassionate herowhose methodology is to make the domain a good blank space in ways other than wildness , whether it is through protest or verbalize truth to power . To ascertain whether they are succeeding in flesh out this concept , it is all appropriate to pass judgment Jon Kent’sSupermanbooks by their cover version - in fact , they may be counting on it .
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