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The inception of DC Comics’Red Hoodshow why movies often spay the laughable source fabric when it comes to superhero origin stories . Jason Todd was introduced with an ancestry incredibly similar to that ofprevious Robin Dick Grayson , but this was later retconned to make him more singular . While Jason ’s second and current line of descent is par for the course for superheroes , his first is far standardised to how moving picture treat them , indicate the central difference in each medium .
Jason was originally depicted as the son of circus acrobat who werebrutally murdered by mob hirer Killer Crocafter Dick Grayson enlists their supporter to land the criminal down . The story is an acute lineage that sees Jason lose his parent in a glum and traumatic way of life , instilling in him the desire to fight crime as Robin . However , what cause this origin so similar to cinematic portrayal is that Jason ’s foundational trauma number at the hands of a supervillain . This is normal in cinema - films likeDaredevil,1989’sBatman , Spider - Man 3 , andGuardians of the Galaxy 2often link a Cuban sandwich ’s nemesis to their bloodline - but it ’s less common in the original comics .
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There are many reasons for this , including the fact that a zep sense much more like the story ’s focal full stop if they were crime - fighting in costume before any true supervillains turned up to gainsay them . It also helps to underscore the meaning of their heroism - in lose their loved one to more generalized organized crime , hero like Spider - Man , Batman and Nightwing are prompted to stop the same hap to anyone else , not to seek specific retaliation on a single individual . However , in a long - form sensitive like comics - where Spider - Man is presently celebrating his sixtieth anniversary - it also helps to foreclose villains growing stale . This is the display case for Red Hood , as Jason Todd ’s source retconprevented Killer Croc from stay staticby discerp their connection , permit him to grow into an intensely conflicted and even grand character .
Conversely , by connecting a hero ’s descent to an already well - constitute villain , filmmakers are able to allow for spectator with an already develop backstory that allows them to more fully focus on and research the main story as a unmediated continuation of a fictional character ’s blood . It ’s rare for villains to really repay in superhero motion picture sequels , so there ’s no full point giving them the freedom to grow and interchange , however this is often crucial in cartoon strip . With his retconned bloodline as a victim of more generalized crime , Jason Todd has died , been resurrected , become a villain , and then been at least partly redeem . It would be difficult for him to go on the same journey if one of Gotham ’s supervillains had pop his parents and was still strutting around the city , and similarly Killer Croc would have to retain more of his initial character to avoid undercut Jason ’s journeying - Red Hood ’s lethal crime - fighting tactics would be strong to warrant once the villain who kill his parents became a star of the disenfranchised .
link up a hero ’s primary villain to their origin is a smart way to tell a one - off story , but it ’s in the end a millstone around the neck opening of retentive - kind tale . In this direction , Red Hood is a bizarrely perfect ' what if ? ' , as fans sleep together how his first parentage story played out , but they ’re also capable to see the benefits of droppinghis connection to Killer Crocin his 2nd , sanctioned origin story . Red Hoodand Killer Croc are better off apart , but if their motion picture - style connective had been keep in place , they ’d have spent almost 40 days unable to resolve that initial antagonism , with no real termination in survey .
Next : Red Hood ’s Court of Owls Connection Redefines His Forgotten Origin Story
