TheFlashpoint Beyondseries fromDC Comicsis shaking up everything fans bear from aFlashpointstory . write by Geoff Johns , Jeremy Adams , and Tim Sheridan , with graphics by Xermanico and Mikel Janín , Flashpoint Beyondstrikes a crucial balance between cosmic conflict of epic proportion and   heartbreakingly internal problem . Thus far , Flashpoint Beyondhas continued Thomas Wayne ’s quest to realize what is exit on around him , as theFlashpointuniverse   has get along animated once again under mysterious context .   Coincidentally , the   villainous   Psycho Pirate has arrived into theFlashpointuniverse , murmuring something about a " black crisis " in his original reality .

Flashpoint Beyondis a sequel to the landmarkFlashpointcrossover   from Geoff Johns and Andy Kubert , which was centered around Barry Allen ’s Flash discovering a non-white , alternate creation from DC ’s Earth Prime . In theFlashpointuniverse ,   The Amazons and Atlanteans   are at war , while   its Super - Man has   been subjected to horrifying clandestine experimentation . To top it off , Flashpoint ’s Batman is not Bruce Wayne , but his begetter , Thomas Wayne , who spiraled into violence after his son was murdered in an alley . While   theFlashpointuniverse proceed away after   The Flash was able to return back to his reality , it has now returned just in time forDark Crisis on Infinite Earths . We pose down with writers Jeremy Adams and Tim Sheridan at San Diego Comic - Con to discuss the specific ofFlashpoint Beyondas a sequel , as well as how it fit into magnanimous result in the DC Universe .

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Comic book art: Batman faces the four Robins: Nightwing Dick Grayson, Red Hood Jason Todd, Red Robin Tim Drake, and Robin Damian Wayne.

Screen Rant : There ’s almost like a bait and switch that goes on in the first issue . And like the first result where you consider , " Oh , it’sFlashpoint , so it ’s gon na be this familiar Atlanteans versus Amazons affair . " And then it ’s at once throw out the windowpane with Barry Allen being killed . So what motivate your decision to keep some things consistent , but others not ?

Tim Sheridan : It ’s sturdy to do that without give away sort of where we ’re die . But I imagine that , that it was significant , because it is aFlashpointstory . It is the sequel toFlashpoint . It was significant to experience that we ’re in the same world , and that it continue . When that account terminate our effrontery was it ’s not still continuing , this world is not still moving ahead . And so we wanted to show that it wasstillmoving forward , the Amazons and the Atlanteans , and thing of that nature . Because that ’s what ’s so confusing to Thomas , right , he is us in these early issue . He does n’t see why this is the way it is . He think he fixed it . And so to have those touchstone were crucial . But it ’s stillFlashpoint , there still call for to be a twist . And the wind for us is directly relate to the answer to the cracking mystery , which we ’re going to come to before long . There ’s a reason why there are diversion .

Jeremy Adams : We also hint at it , that ’s part of what ’s befall in the present tense with Batman . I recognize when we announced the Quran , and I would see hoi polloi shoot the breeze online about how this was something Geoff [ Johns ] impressed upon us , it was n’t supposed to be just , " Oh , this is just a money grab sequel matter . " That was like the utmost from our idea .

Comic book art: batman by arkham asylum

Tim Sheridan : Well , they did n’t even do to us . It ’s not like DC came to us and said , " Can you hombre do aFlashpoint ? " We came to them and say , " We got this idea , and have ’s talk to Geoff and see if he is interested in doing something . "

Jeremy Adams : Because it ’s his variety of thing . And , Geoff came with so much heart , because originally we kind of had some joke , and it was like , " Oh , this would be really coolheaded . This would be really adventuresome . " And I imagine what was big was that now it was two against one like ,   [ Tim ] and Geoff were like , " This needs to be about heart and emotion . " I ’m like , " Ugh , " but it did , it focalise us in a direction of like , this has to think something else . And it has to not just mean something else to this tarradiddle . There has to be effects that reverberate out into the DC Universe as a whole . And that was kind of interesting , too . And of class , Tim and I are like , " Oh , let ’s do it . "

Tim Sheridan : I mean , Jeremy and I as writer have different sort of things that we wish .

Robin Curtis and Kirstie Alley as Lt. Saavik in Star Trek.

Jeremy Adams : We have dissimilar taste levels .

Tim Sheridan : So Jeremy will perfectly tip into exciting natural action - packed stuff , and then give you a really heartfelt , you know , moment , but his orientation , I would say is-

Jeremy Adams : Jean - Claude Van Damme .

Flashpoint Beyond SDCC

Tim Sheridan : And if I ’m left to my own gimmick , I will just put two people in a room lecture to each other for a whole comic book , follow to condition with something . And it ’s the least interesting affair you ’ve ever find . But , they say interesting words . What ’s great about Geoff is he can do both of those thing and loves both of those thing , and seesFlashpointas both of those thing . And so he ’s like a showrunner or like a director in a movie . He modulates between our instinct and voices , and is capable to , you acknowledge , help us craft what is essentially aFlashpointstory , which is chock full of big approximation and action and excitation , but then at its core , is really about the emotional life sentence of our independent lineament and the brokenheartedness and the injury that they ’re dealing with , and coping with , and trying to reckon out how to move beyond .

Thomas in this story is just so herculean , because he ’s like a setback Inigo Montoya in a fashion , just so much sadder .   It ’s just collide with differently , the conflict that losing a minor has versus losing a parent .

Tim Sheridan : The adult tragedy of it for him , and I believe why we love Thomas Wayne – even though he ’s not of necessity the greatest guy – but the reason why we love him is because he has a clear objective . And he had it inFlashpoint . He has it inFlashpoint Beyond . His well-defined objective make the position he wants , but it does n’t get him the thing . He does n’t get to be with his Logos . He ’s getting something by give everything up . And it ’s a horribly tragic placement to be in . But he ’s laser focus on it .

Gilda Dent becomes Two-Face.

Jeremy Adams : Well , I guess it ’s been compounded in the tragedy of Thomas , because in the first one , he did n’t know if it was real . And he still never knew , correct ? I think , some some things checked out . Like , you know , he does have speed power , all this material . But at the death of the solar day , he conk with the universe , but then he comes back into persistence . And it ’s like , not only did it work , but now I see the fruits of my labor and see what eccentric of hero this man is . There ’s no greater matter , it ’s like , " Holy dirt . Of course , my son needs to be , because without him , all these other things . " So now it ’s like , " I acknowledge that was real , and I know that Bruce needs to exist . " It do that mission even more crucial , I imagine .

Tim Sheridan : When we seat down originally though , it was an idea fest . So we had a crew of different angles on what Thomas would want . Having woken up back in his universe , what does he want now , having seen and met Bruce ? We kicked it around a circle . And we finally , you bang , I ’m sure Geoff really led us to sort of rest focused on who Thomas is . And he ’s not going to change all that much .

Jeremy Adams : He had a very clear imaginativeness of what Thomas was , and kind of stick to the original version of him fromFlashpoint .

Thomas Wayne’s Batman in Flashpoint Beyond #2.

Tim Sheridan : Which is kind of where our instincts were too .

Jeremy Adams : I desire him to do the split .

Tim Sheridan : The Jean - Claude Van Damme split .

Super-Man talks to Thomas Wayne’s Batman in Flashpoint Beyond #3.

And what ’s so appealing to me about Thomas in this book is that , I feel like today , in medium , there ’s a very popular image of " What ’s bonnie is cruddy , and stinking is fair . " It ’s very pessimistic . But what stuck out to me a lot aboutFlashpoint Beyondis that it ’s radically bright . There ’s something very alone to that just in the general landscape painting . Is there anything you specifically wanted to avert in terms of   dally with this element ?

Tim Sheridan : It ’s an authoritative thing . Because , you jazz , Thomas , very chop-chop , know his objective , and he ’s go bad for it . He ’s very no trumpery . It ’s important for him to stop and be steep in the " why , " you know , and that ’s the hopefulness that you ’re talking about . One of the thing that we do n’t always talk about when it come to Batman , and this is either Bruce or Thomas , is how much hope they have to have to put on that costume and do what they do . We think of them as The Dark Knight and they ’re lurking in the fantasm and being angry at the world . But no , it it takes an incredible amount of hopefulness . And he has to be prompt of that . And I think , I think we always know that Super - Man is always the one who reminds everybody about that .

Jeremy Adams : But what ’s not bad is he still turn away it .

Thomas Wayne in Flashpoint Beyond #2.

Tim Sheridan : Well he does , but at least now he ’s rejecting it from – he ’s been faced with hump there ’s big thing happening in this world that he could avail with . And he ’s like , " I ’m still focused , I ’m still opt to remain optical maser focus on the other affair . Because the rest of this , these cares that you have wo n’t matter , proper ? Because they wo n’t exist . " It is a deception of absolution that he ’s act with there . Because bet , in his experience , his actual experience , is he did this , and it did n’t solve . So he call back , " Yeah , none of that will weigh . " And yet , here we are , the Atlanteans and the Amazons , and now the Kryptonians . And these things are occur in this domain . So really , ultimately , who is Thomas to say ?

Jeremy Adams : And I also think that as we get further and further along for Thomas , it ’s like , let ’s hope that he ’s right-hand . Because he ’s leave a trail of wreckage , you recognise ?

Tim Sheridan : Yeah . But he ’s resolute .

Comics

Absolutely . And so just to go back to the emotional versus action , how do you balance those moments ? How this is meet in withDark Crisis ? How do you finagle all of those things at once ?

Tim Sheridan : I mean , that ’s also a loaded doubt , because the action within this particular story has a tidy sum of the things we ’re check , the things that we ’re seeding right now have reverberation that will affect a lot of thing outside of theFlashpointuniverse .

Jeremy Adams : I will say you as somebody who really enjoys action as a workmanship , when [ Flashpoint Beyondartist ]   Xermanico started sending back poppycock , it was like , but I want to see him do something where the Batmobile does this or I desire to see this , because he ’s so good at it .

Tim Sheridan : We’re just nerds .

Jeremy Adams : It just was so cinematic , and in payoff two , after he has the conversation with Gilda [ Dent ] , you were so excited because you specifically want to harken back to a particular vibration of Batman and him land in the alley with Thomas Wayne . It was like , " Ooooh , " it was n’t just that it was like , here ’s the action scene , and if you have Batman ’s brother , it ’s not Bruce Wayne ’s brother . It ’s sure-enough man Thomas with this   MMA food waste kicking that just completely flattens a guy , and it ’s effective . And I thought , " Oh my gosh , this is so good , because he ’s drawing the action . "

Tim Sheridan : What was it , [ Detective Comics#587 ] ? It was the Breyfogle cover where he ’s standing in the back street and there ’s lightning behind him and it ’s raining all over . What I loved about that cover , why it ’s haunted me my whole life , is because it is a perfect depiction of this thing that’saboutto happen . It transports you to that moment before that human beings is about to kick somebody ’s ass or something , good ? We talked to Xermanico , we ’re like , " Can we wreak back that opinion of that Sir Frederick Handley Page ? " And that Sir Frederick Handley Page came back . It was just like , you did n’t just convey it back , he just like , breed it by a million . It was like , oh ,   s * * * ’s about to go down and that ’s kinetic in a way that you do n’t always get from a still picture in a comic Scripture . But youfeelwhat ’s about to find .

Jeremy Adams : One of my favorite scenes is when Gilda commence bankrupt her head against the thing . And I was just like , " Oh , my gosh , I can feel this , I can see this . " But also with your other motion about , the action within the persistence of the DC Universe , what I think is really neat , too , is we ’re also play with different box of the DC Universe proper , that maybe are n’t being addressed mightily now . And it does show the absolute vastness of the DC Universe . And that ’s what ’s so cool about the DC Universe : it ’s like , oh , there ’s conjuration , and there ’s street level Guy , and there ’s this and aliens , and there ’s also sentence and Hypertime   and all that stuff . And I think that ’s one of the things that sets DC apart from competitors .

Tim Sheridan : But it ’s also a thing that setsFlashpointapart from other stories , I call up . And Geoff , right from day one , was the hombre who said , " This is about heart , it ’s about who these character reference are . And , we can fill it with a lot of fun action , and we will , but it always has to follow down to their wants and needs and the equaliser . " So balancing between bounteous action , that was just built in , because that ’s part of the way Geoff seesFlashpoint . And gayly , it ’s part of the way that-

Jeremy Adams:[To Tim Sheridan ] You see those things .

Tim Sheridan : But I mean we do , like , Jeremy will give you these vast , beautiful activity . He ’ll give you a whole number of activity . But just like steamy with , like , all the heart , you know , and you realize , " Oh , this was really about something . "

Jeremy Adams : That ’s my spirit as a John Hughes fan . Yeah , you always got that last 10 second of a John Hughes movie when the synth start out blend in up and Uncle Buck ’s see at you and you ’re looking at him , and you ’re like , " Oh my gosh , oh , nerve . "

Tim Sheridan : I’m so golden to have you guys play me back from the precipice because if I ’m left to my own devices , I would on every panel on every page say , " No no , listen . It ’s about this . This warmheartedness right here . Look at this . " And then in the next dialog box , you ’re like , " Yes , I get it . "

With   Super - Man ’s " Everything weigh " job , that ’s the perfect , and I eff this isFlashpoint , but it ’s a perfect motto forInfinite Frontier . And nowDark Crisis On Infinite Earths .

Jeremy Adams : I think that ’s knowing , too . We can get so bogged down in taglines , whatever . And I cogitate this is like an exploration and drill down to , what does that really mean ?

Tim Sheridan : And there ’s a matter I get asked a heap , I ’m sure [ Jeremy ] do[es ] , too . What the fans will ask is , " Now is this gon na weigh ? Is this going to connect to this other thing ? Is that gon na matter ? Because if it does n’t matter , I do n’t want to know about it . " And I ’m always kind of amaze by it . Because I ’m like , " Of naturally , it matters . Maybe it ’s not lead to plot - wise connect to something . But what you ’re run to learn about this reference in this moment , of track , it matters . All of it matters to me . "

Jeremy Adams : That ’s where I like to live . It ’s like everything that ’s hap in the past tense of DC Comics weigh , because I want to steal it and make another note . Like , those are the things , the unanswered inquiry and being able-bodied to occupy in those questions , is so much fun . That ’s whatDark Crisisis , right ? It ’s like , " Look what happened in , you know , Crisis on Infinite Earthsand the Darkness , " and Josh[ua Williamson ] is like , " hold off a secondment , " and then he pulled that into theDark Crisis . So like , even what we ’re doing , even talking about the Time Masters and talking about Time Spheres and different things , or hark back to some of Geoff ’s other work , everything matter . The DC Universe : if they publish it , it plausibly matter .

Tim Sheridan : I think , if you ’re a fan at all , even , the [ Superman:]Man of Tomorrowmovie that I did , it does n’t join to anything in the comics . Except that it ’s base around estimate and things that we ’ve examine in the strip and desire to search on CRT screen , or like aLEGO BatmanorLEGO Justice Leaguemovie , [ to Jeremy ] you ’ve write a couple of those . Those thing matter to me as a fan , because it gives me a whole Modern manner to enjoy the characters and the spot that I jazz so much .

Next : Batman ’s Father Is Taking on DC ’s Most Powerful Characters

Flashpoint Beyond#3will be useable from DC Comics on August 2nd , 2022 .